Literary historical fiction

DIE BURGER

The Citizen

A novel of the South African War

In October 1899 two nations rode to war, each certain that God was on its side. On one eastern Transvaal farm, and in the district around it, a record is kept of what that certainty costs. The most reliable part of it belongs to the man neither government counts.

Book One of Stof en Sterre · Coming 2026

Book One of Stof en Sterre · Available now

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Elias Brandt, author of Die Burger, photographed beside a lake under overcast sky

The Book

Die Burger

Willem Viljoen rides out in October 1899 believing the war will be hard and short, and that God is on his side. So does every man riding the other way.

His neighbours elect him commandant because they trust him. Within months he is burying them above Talana, and holding Spion Kop through a day of slaughter that changes nothing — the British can replace what they lose, and the Boers cannot. He can read the war better than the men he leads, and it does not help him. A commando runs on consent, and the day he commands instead of persuades is the day he stops being their commandant.

Behind him, his wife Hanna holds a district emptied of its men. His daughter Lettie, fifteen, opens a journal expecting to record a brief disruption, and becomes a witness instead.

And Koos Sithole, who has run the farm for fifteen years, reads the country from its fences. Through relationships built over decades he extends a network of information far beyond the farm, kept in isiZulu notebooks that are at once the district's memory and a danger to everyone named in them. He is the most reliable witness in the district. Neither government counts him as a man.

Die Burger is a novel about the price of service, and about how much of it is paid by people who never chose it. It sits inside a war where both armies claimed a just cause and a listening God, and where the people who had lived longest on the land were used by both sides and counted by neither.

Its questions are old and still unsettled: what a person owes his community when the state's demands and that community's survival pull apart; how loyalty to a family, a community and a country can be held at once; and what it means to invoke God in support of a cause — and what that leaves for the people who were never asked. The novel does not answer them on the reader's behalf.

Its chapters rotate among these lives, gathered and annotated a quarter of a century after the war by one of the people in them. The closest attention falls on Koos's own record — notebooks kept in isiZulu, and translated by a hand that defers to his.

Its nearest touchstones are Damon Galgut's The Promise and Min Jin Lee's Pachinko — a family and a country carried across a historical rupture.

  • Genre — Literary historical fiction
  • Setting — Eastern Transvaal, 1899–1900
  • Series — Book One of Stof en Sterre
  • Status — Complete; self-published edition coming 2026

Three excerpts

Part One · Chapter 1 · October 1899

Laat julle ja, ja wees, en julle nee, nee. Let your word be yea, yea; nay, nay.

He looked at her face. She had her chin up. Her grey-green eyes were wide and fixed on his and shining wet but had not spilled. Her mouth was set.

He opened his mouth. Nothing came out that he was willing to say.

He nodded once.

She nodded back.

He turned to Ou Blikkie.

He gathered the reins, set his foot in the stirrup and swung up. He sat in the saddle and made his back straight and let out one long breath through his teeth, and then took up the reins again.

South.

He did not look back.

Behind him on the wet earth of the yard his daughter stood watching him go, her hands open at her sides, and the catch in her breathing carried after him.

He rode through the gate.

Hanna stood in the kitchen with Willem's cup still in her hand.

The coffee on the table had gone cold in the pouring.

She took the cup to the basin and set it down. Then she stood with both hands on the edge of the table and looked at the door through which he had gone.

The fire shifted in the stove.

Outside, the yard had gone quiet.

Hanna picked up the cloth and wiped the table where no coffee had spilled.

Part Three · Chapter 13 · Spion Kop, January 1900

Al gaan ek ook in 'n dal van doodskaduwee, ek sal geen onheil vrees nie. Yea, though I walk through the valley of the shadow of death, I will fear no evil.

Down on the lower slope the Carolina men had begun to move.

Willem watched through the field glass.

They came up out of the dead ground south of the kop in two ragged lines, perhaps ninety yards apart. The British forward trench had begun to fire on them — single shots, the lead line taking the first rounds.

"Skiet."

The line of Wakkerstroom rifles opened on the British forward trench.

Willem had told them to fire single rounds, marked. They did. Pietie's selected ammunition, Schalk's cleaned Mauser, Andries Steyn's old eyes. The British forward trench had perhaps thirty men in it. Willem saw helmets duck and stay ducked. He saw a man stand up to throw something — perhaps a signal-flag, perhaps a haversack — and saw the man go down before the throw finished.

Below, the Carolina men climbed under the covering fire. The British forward trench could not keep its head up. A Carolina man went down anyway at the front of the right-hand line — somebody in the trench had risked a Mauser round to fire. He fell forward and lay still. Another took the place where he had been. They came on.

At one hundred and fifty yards from the British forward trench the Carolina line went to ground. They began to fire. The British forward trench fired back, briefly, then ducked again as Willem's rifles found them.

"Hou," Willem said. Hold.

His line stopped firing. The Carolina men were close enough now that an overshoot would carry into them. The Boer artillery on Tabanyama was still working the false summit beyond the forward trench — the Krupp rounds going over the British heads into the open ground behind, where no Carolina man was yet — but Willem's rifle line was finished for the moment.

A round came in short. Not by a hundred yards — by thirty. It burst on the slope below Willem's rocks. Stone and earth came up and rained down on his line. One fragment took a small piece out of the brim of Floors Marais's hat. Another struck the stock of Schalk's rifle and bounced. Nobody was hit. The observers along the forward edge began shouting corrections back across the saddle to Tabanyama. The next round went long, into the open ground beyond the false summit. The one after that found the trench again.

The Carolina men got up off the ground and came on.

Part Two · Chapter 9 · Geloftedag, 16 December 1899

Onthou die dae van die ouds; let op die jare van geslag tot geslag. Remember the days of old, consider the years of many generations.

Koos wrote in his notebook in the room behind the stable that night, the lamp low, his Sunday coat hung on the peg behind the door.

I sat in the Viljoen kitchen this morning for the first part of the day.

Hanna asked me on Friday. She did not say why. She did not need to.

I sat in Willem's chair. The placement was deliberate. They did not place me outside the family. This choice had its own difficulty. Hanna chose it anyway.

Hanna read Genesis seventeen. Then Exodus one. Then Psalm thirty-three. The blessed nation whose God is the LORD.

Then she paused before the pamphlet.

I stood up. I said this part was for the family. I thanked her for asking me. I left.

I sat outside the kitchen door a while. I could hear Hanna begin the Vow in Afrikaans. I did not stay to hear the rest.

I walked to the eastern boundary and crossed it. Petrus nodded when he saw me coming. His wife brought me maas. We spoke about a calf that had been sick and was now well.

My grandfather was at the Ncome. He was nineteen years old. He was in the third rank. He did not come back across the river.

My mother told me this when I was a boy. She told it without bitterness. She said: the river took our men. The river had taken others before. The Boers thanked their God. The Zulu thanked ours. The dead were the dead.

Hanna wanted me at the table. She did not ask me to stay through the Vow. Both things are true.

The Dlamini fire burns the same as on any other evening. The Viljoen kitchen is quiet. Tomorrow there will be work.

I keep my own witness. This notebook is for that.

Die Burger is complete. Get word when it’s published.

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The Series

Stof en Sterre — Dust and Stars

Ek het na die sterre gereik, want ek wou nie vergaan nie.

Die sterre het nie geantwoord nie; hulle het net aanhou brand.

Toe skeur die hemel oop, en iets kom deur.

Dit het nie gekom om te red nie, maar om te tel.

Ons het gedink ons klim. Ons het net die gat gegrawe.

Nou is ek stof, en die stof onthou.

I reached for the stars, because I did not want to perish.

The stars did not answer; they only went on burning.

Then the heavens tore open, and something came through.

It did not come to save, but to count.

We thought we were climbing. We were only digging the hole.

Now I am dust, and the dust remembers.

The novels follow one eastern Transvaal family, and the people around them, from the outbreak of war in 1899 through the decade that came after — those who fought it, those who endured it, those who recorded it, and those who inherited it.

Each novel stands on its own. Die Burger covers the opening year, the year in which everyone involved still believed the war would be settled by armies in the field. What follows it is a different kind of war, and a longer one.

The second novel is in draft.

About

Elias Brandt

Elias Brandt is a debut novelist writing under a pen name. He lives in the Pacific Northwest of the United States.

Die Burger grew from a story handed down in his own family: a great-grandfather who, as an officer, diverted the grain stores in his charge to feed his community, was discovered, and lost almost everything getting his family out before beginning again as a farmer in a new country.

That inheritance — what a person owes the people around them when the state's demands and a community's survival pull apart — became the question the novel is built on.

Elias Brandt, author of Die Burger

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Die Burger

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For reviewers and booksellers

Die Burger — information sheet

A literary novel of the South African War, told through braided voices on and around a single eastern Transvaal farm.

Synopsis

In October 1899 Willem Viljoen rides out to join the Wakkerstroom commando, which elects him commandant, leaving behind his wife Hanna; his daughter Lettie, fifteen, who keeps a journal; his son Kobus; and Koos Sithole, the Zulu man who has run the farm for fifteen years.

At the front the early certainties die fast. The flanking attack above Talana breaks against British infantry, and the commando holds Spion Kop through a day of slaughter that changes nothing, because the British can replace what they lose and the Boers cannot. Reading captured dispatches and the lateral channels Koos maintains, Willem sees what is coming — and cannot persuade free men to withdraw without a defeat.

At the farm Hanna holds a district emptied of its men; Lettie grows from observer into witness; and Koos extends a hidden intelligence network kept in isiZulu notebooks that are both the district's memory and a danger to everyone named in them.

Review copies, sample chapters and a full synopsis are available on request.

Details

  • TitleDie Burger (The Citizen)
  • Author — Elias Brandt (pen name)
  • Category — Literary historical fiction
  • Length — 72,000 words, complete
  • Setting — Eastern Transvaal, 1899–1900
  • Series — Book One of Stof en Sterre; Book Two in draft
  • Comparable readership — Damon Galgut, The Promise; Min Jin Lee, Pachinko
  • Status — Complete; self-published edition coming 2026

Author biography

Elias Brandt is a debut novelist writing under a pen name. He lives in the Pacific Northwest of the United States. Die Burger grew from a story handed down in his own family: a great-grandfather who, as an officer, diverted the grain stores in his charge to feed his community, was discovered, and lost almost everything getting his family out before beginning again as a farmer in a new country. No prior book publications.

Contact

elias.jakob.brandt@gmail.com

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Readers, reviewers and booksellers are welcome to write.

elias.jakob.brandt@gmail.com